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'Beethovens Werkstatt' - Genetic Text Criticism and Digital Music Edition

Overview

The research project Beethoven's Workshop, funded since 2014 by the german Academy of Sciences and Literature, is dedicated to Beethoven's compositional working processes. This project in the field of music philology is based on two closely related research areas: Parallel to the genetic text critique methods which are being developed, digital techniques and forms for an adequate presentation of research results will be developed. The methods and possibilities for visualization will also be transferable to other composers. For the research work, the coding format MEI (Music Encoding Initiative) will be used and expanded.

The music-related genetic text critique that is being developed takes up both working methods of musical sketch research and methods of the French, literary-oriented Critique génétique. This project investigates the compositional thinking and working processes, and tries to reconstruct the creation of a composition by using available workshop documents.

Key Facts

Research profile area:
Digital Humanities
Project type:
Research
Project duration:
01/2014 - 12/2029
Funded by:
AdW Mainz
Subprojects:
Website:
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Principal Investigators

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Prof. Dr. Johannes Kepper

Musicology Seminar Detmold/Paderborn

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Prof. Dr. Andreas Münzmay

Musicology Seminar Detmold/Paderborn

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Project Team

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Ran Mo

Digitale Musikphilologie / Digital Humanities (Kepper)

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Prof. Dr. Joachim Veit

Bereich Prof. Dr. Joachim Veit

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Agnes Seipelt

Digitale Musikphilologie / Digital Humanities (Kepper)

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Kristin Herold

Digitale Musikphilologie / Digital Humanities (Kepper)

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Dr. Susanne Cox

Digitale Musikphilologie / Digital Humanities (Kepper)

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Richard Sänger, M.A.

Digitale Musikphilologie / Digital Humanities (Kepper)

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Dr. Elisa Novara

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Jan-Peter Voigt

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Lisa Rosendahl, M.A. M.A.

Bereich Prof. Dr. Andreas Münzmay

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Publications

Exploring the Genesis of Complex Music Manuscripts
J. Kepper, R.Y. Sänger, J.-P. Voigt, Journal of the Text Encoding Initiative (n.d.).
Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle
A. Münzmay, F. Rovelli, E. Novara, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024.
Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale
J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.
Encoding Genetic Processes II
S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.
MusicDiff – A Diff Tool for MEI
K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.
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